May 13, 2008

The Whitney.

I'm not ashamed to admit that I am completely obsessed with America's Next Top Model, and that I await every new season of Tyra-isms, and gaudy photo-shoot challenges, with bated breath.

This Weds. night marks finale of Cycle 10, where models will compete in a Zoolander-style pose-off, on a couture runway in Milan. There are 3 remaining models . . . Fatima (who Tyra refers to as "The Baby Iman"), Anja (who is from Hawaii, and slightly mentally challenged), and Whitney (the va-va-voom plus sizer).

Originally, I was rooting for Lauren, the punk rocker from Brooklyn. Despite the fact that she was only on the show because her friends wouldn't stop bugging her to try out, she wound up accidentally killing it in every photo, due to her gorgeous Lauren Bacall-esque bone structure (see pics below). It wasn't just her thick Johnny Thunders-like accent that won me over, but the fact that she let her blond extensions turn into dreadlocks, and that when she tried to make potato latkes for the other girls, she sliced off the top of her finger, and instead of crying, she threw on her leather jacket, and calmly strutted out the door to the hospital. She was sadly axed due to her runway walk, which the judges compared to both Frankenstein and Lurch from the Addams Family (I still think she'd be perfect for Nylon Mag).

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Photos: Lauren from ANTM, Lauren Bacall

Now that Lauren is adios, I'm praying that Whitney wins . . . with her bodaciously curvy bod, raised eyebrow, and Mae West attitude (watch the episode where she does runway for a group of firemen, and you'll catch my drift). She gets really pissed when the judges compare her to Anna Nicole Smith (she so much more Anita Ekberg!), and i'm sure all the Mary's adore her campy pin-up posing style (which could prove to be her downfall, since Tyra wants her to "stop posing"). Her bone-structchah(i'm starting to sound like Madeline Kahn in Paper Moon) is to-die-for, and reminds me of the all-American super-blondes of the '80s, like Kim Alexis, and she totally nailed the "grunge rock" photo challenge (see below):

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Photos: Kim Alexis, Whitney in the "Paint Challenge", Whitney in the "Italian Cinema" challenge. Anita Ekberg, Whitney in the "Grunge" challenge.

I can't wait for Weds.! Now go take something ugly, and "make it fashion!

May 06, 2008

My vote for the best Coachella photo of 2008 goes to . . .

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My little sister Lizzie, and her fellow over-accessorized, vintage-scarf-loving soul mate, Steven Tyler.

Rock on : )

Tiptoe through the tulips, with me.

Due to the 2% vacancy rate in NYC, when apt. hunting in Manhattan proper, you have to be prepared to make some living space sacrifices in order to find something suitable (especially on a scribe's salary). So when the mister and I headed East from Los Angeles in 2006, and wrote down our apt.-wish-list, one of the things we wouldn't budge about, was that we wanted to live in a 1-bedroom, not a studio. That was, until we saw a tiny Murray Hill studio that happened to have crazy-high ceilings with Deco moulding, and a giant (by Manhattan standards) wrap-around terrace (= sold)!

So now that Spring had begun, we're really nerding out horticulturally, letting our terrace strut its stuff, and getting it all gussied up for the upcoming BBQ season. This is officially the first time in my life that i've ever planted seeds that have actually sprouted (I always thought I was garden-tarded). I've attributed my newly-discovered green-thumb to the fact that I sang little hippie-mother-earth songs about how beautiful they will be when they grow-up, as they were planted in the soil (it worked, so don't knock it).

My favorite seed-ordering site thus-far is Thompson & Morgan, which has been shilling English seedlings since 1855, and includes a free-packet with every order. Plus, everything we've planted from them, has been sprouting like mad.

Here are some beauties that will be gracing our garden this time around (I chose flowers in colors that reminded me of Africa):

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By row: Touch of Red Calendula, Purity Cosmos, Thunbergia Alata Superstar Orange, Italian White Sunflowers, Lemon Bird Cosmos, Black Velvet Nasturtium, Zaluzianskya Night Phlox, Black-Eyed Susans, and Star Jasmine.

Along with mint, basil, basket tomatoes, parsley, lavender, mesclun, and chives.

In conclusion, I can't believe what geezers we're fast becoming . . . we actually caught ourselves on Friday night discussing the fact that our Gardenia bush is a real "diva" (and this coming from someone who listened to Rudimentary Peni in high school).


 

April 25, 2008

Tom Jones.

Went to FilmForum last night to see the fantastic 1963 film Tom Jones, which was the winner of  4 Academy Awards (including Best Picture), and stars the super-charismatic Albert Finney, in one of the bawdiest, funniest roles of his career. Think of it as Barry Lyndon on magic mushrooms. I'd seen the film when I was younger, but was so happy to have revisited it on the silver screen!

Here is one of my favorite scenes, which has gone down in the cinema history books as one of the funniest depictions of gastro-flirting, ever:

And here is a great interview with a very young, yet highly sophisticated (not to mention handsome), Albert Finney, at the beginning of his career:

If only young actors today were this debonair. Sigh . . .

 

April 22, 2008

House in the country.

Though i'm having a daily love affair with our tiny studio in Manhattan, especially now that the sun is peeping about, the Mister and I have lots of fun dreaming about moving to the country, where we can have  bazillions of animals, and live in a rickety old house that we can restore, which will also have a fully-functioning design and craft studio out back, housed in a giant barn.

Considering that we are both suffering from debilitating antiquing addictions, living in a space larger than 400 sq, ft. could prove to be quite dangerous, and we would most likely be living in a museum of oddities faster than you can say "pack rat", but whatev's . . . it would be awesome!

Here are a few recent eBay items that would be right at home, adorning our fantasy country estate (click images to view larger):

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French Victorian walnut settee (sold on eBay for $995, which is cheaper than an IKEA couch, and look at the ornate details!), and a stainless owl thermos with cups, made in W. Germany ($9.99).
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Tiffany Studios brass web lampshade circa early 1900s (which went for only $350, which is bubkus, considering it belongs in a museum), and Mid-century violin chairs ($399).
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Swiss Rorschach tests, circa 1941 (perfect for framing, $82)
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1960s sea shell appetizer trays (still available on eBay for $8.99!), and a Mid-Century Zebrawood desk by Herman Miller (about $1,200).
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  Turn-of-the-century cameo crazy quilt, and Anglo-Indian carved Rosewood curio-shelves, circa 1800-1849 (I bid $300 and lost them for $406 = heartbreaker).

P.S. If anyone has any tips of gorgeous towns we should visit in Upstate NY, CT, Mass, or Maine, let us know, because those are the places we're planning on exploring in seeking out our dream "art barn".

Photos: myersauctions, shopathomeantiques, winsome*lass, ksnus, lennonhallantiques, crittercabin, fineantiques67, luxuryantiques

April 16, 2008

Marlon Brando and Monroe, Dietrich and DiMaggio . . .

Was looking at the cover of the May issue of ELLE, and was taken by how much Madonna is beginning to actually morph into Marlene Dietrich. We all know she payed direct homage back in the Express Yourself/Vogue era, with her white 3-piece suit, monocle, and lesbianic-glam vibe. . . but now it goes beyond homage and into actual metamorphosis (they have kindred cheekbones and eyelids for miles). See for yourself:
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Has anyone else noticed this but me?

Photos: ELLE, film.virtual-history.com

April 10, 2008

Mr. Melody Nelson.

The first time I laid peepers on Serge Gainsbourg was while  flipping through my collection of French '60s  Vogues, and I was instantly taken by his jazzy, sleazy pin-striped style, perfectly accessorized by a cigarette that badly needed ashing, crooked nose, disheveled coif, and devilish gaze. Instantly smitten, I ran out and bought his brilliant CD Comic Strip, which has him playfully frolicking around with former paramour Brigitte Bardot, along with Jane Birkin (Serge's lover of 13 years, Charlotte's mum, actress, singer, and she of the infamous Hermés bag). It also features his controversial hit Je T'Aime . . . Moi Non Plus, which was banned by the Vatican for Birkin's sexy cooing at the end of the track, and which Casablanca Records founder, Neil Bogart later played for Italo-disco God, Giorgio Moroder, who then used it as inspiration for his Donna Summer smash, Love to Love You Baby.

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It was very easy to fall in instant amour with Serge's entire musical repertoire (which consists of over 550 songs, and 30 albums), which covers just about every genre, from cabaret to African beat, from rock 'n roll to reggae . . . but my favorite of all is his darkest concept LP, Histoire de Melody Nelson, which features sinfully decadent tunes that defy categorization. French actress Isabelle Adjani (who Serge had written songs for in the '80s), perfectly describes Melody Nelson as "Musical literature". Jane B. is on the cover, dressed as the fictional freckle-faced red-headed teen-age ragamuffin, Melody, holding a monkey doll she'd had since childhood, and which she later buried with Serge, as he'd always loved it.

Gainsbourg's home on 5 bis Rue Verneuil, in Paris's 7th Arrondissement (in case you want to visit and add to the graffiti in homage to Serge that covers his front wall), is now owned by his actress/singer/fashion muse daughter, Charlotte Gainsbourg, who has left every item in the house untouched, since he passed on to Gitane-heaven from alcoholism in 1991. She has plans to turn the home into a public museum, which would have me Air France tickets faster than you can say "Bardot".

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Marianne Faithfull had this to say about Serge: "He was a poet, a genius, and an egotist, the sort of person I have always got on with, and we became very good friends. Sex was one way of relating with Serge–probably his favorite way with a woman–but we had a philosophical affinity, a serious platonic friendship based on surrealism, poetry and Oscar Wilde. Serge was very interested in the spiritual content. He knew all about Rastafarianism; he knew about everything."

In Nov. of 2007, Lisa Robinson wrote a great story for Vanity Fair, about Serge's colorful legacy. Here are some of my favorite excerpts: 

"Her (Jane Birkin's) apartment, on the Rue Jacob, is a worldly display of exotic bohemianism. Paisley covered walls are adorned with hundreds of framed photos of Serge . . . stuffed rabbits wearing pearl necklaces are grouped on a table playing cards. There is a collection of majolica pottery, a huge flat screen TV, and everywhere you look, there are books–lining the shelves in her bedroom and study. And although originally designed by her and named for her, that Hermés Birkin bag is nowhere to be seen."

" He always paid his taxes early: he felt he was an immigrant–his parents were from Russia and as such he should behave correctly. He wanted shoes that felt like gloves, so I got him white Repetto ballet shoes, which he wore without socks. I bought him jewelry and encouraged him to keep 3 day stubble on his face. He sat in gilt chairs after fashion shows and picked out dresses for me–Balenciaga, Yves Saint Laurent, Givenchy . . ."—Jane Birkin

"Toward the end of this life, Gainsbourg created "Gainsbarre," a sort of outlandish, alter ego for himself that allowed him to say shocking things on television."—Francois Ravard (Serge's drinking partner, and film producer)

"Je T'Aime . . . Moi Non Plus"–which translates as "I love you, me neither"–came from a story told about Dali, who reportedly said "Picasso is Spanish–me too. Picasso is a painter–me too. Picasso is a Communist–me neither."—Nicolas and Jean-Benoit of Air


"After Serge and Jane made a movie in Yugoslavia, he bought a Rolls-Royce with cash because "it tickled him to think he was buying a Rolls with Communist money," she says. It was racing green, he had no driver's license (he said "You cannot drink and drive and I have chosen"). After using it to have someone drive up and down the Rue Faubourg Saint-Honoré, he put it in a garage, where he could occasionally visit it, sit inside, and have a smoke."—Jane Birkin

"Even if you play Serge's songs in the middle of Africa, where nobody understands the words, they'll be caught. It's like when Lillian Gish said she regretted there were no more silent movies that spoke to everybody."—Jeanne Moreau

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April 03, 2008

It's a Sad World After All.

"Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money." —Walt Disney

I'm heartbroken upon hearing the sad news that Disneyland is in the process of giving the It's a Small World ride a very unnecessary re-"imagineering", which entails adding Disney film characters into all of the scenes, and tragically doing-away-with the gorgeous Papua New Guinea rain-forest vignette altogether, to be replaced  by some kind of "Hooray for the U.S.A" atrocity. Gossip-behemoth TMZ took a poll to see what people think about the plan to re-design the ride, and nearly 20,000 people wrote in, passionately opposing the plan. 

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 It's a Small World was designed by the brilliant conceptual artist Mary Blair, and if you had to name the most aesthetically influencial person in Walt Disney's life, it would be her. More than just his muse, she was an extremely gifted painter and creative visionary, who singlehandedly defined Disneyland's bright,  pop, and mystically enchanting look.

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Mary worked for Disney from 1942 to 1970, never ceasing to dazzle, yet during most of their time together she felt creatively stifled, especially since Walt had promised on several occasions to give her free-reign over the creative direction of major Disney films, like Cinderella and Alice and Wonderland . . . promises that never materialized. When Mary presented Walt with her storyboards, though he personally loved them (he was her #1 fan), he feared audiences wouldn't understand her sophisticated yet exaggerated style, as she was always eons ahead of her time. Walt would give her storyboards to his animation dept. simply as inspiration, and the animators would then commercialize her concepts. It has even been said that in the '60s, Disney's art dept. dubbed her "Marijuana Blair", due to her psychedelic use of color.

Walt used her storyboards as inspiration for many films, but it wasn't until 1964, when he asked Mary to design an installation for the New York World's Fair, that Mary really got a chance shine. Mary's large-scale piece was called Children of the World, and the attraction was so popular, that Disney decided to make it a permanent fixture in Disneyland, in partnership with UNICEF. Mary was elated that she was finally able to give the cute, round-faced, wide-eyed, multi-cultural children she so loved to draw, a permanent home inside a kooky, cartoony, fairy-tale castle with a giant ticking clock-face. This ride was also Mary's love letter to craft, and how just some painted papier mache and loads of glitter can make anyplace into a wonderland.

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Hundreds of thousands of people who have loved It's a Small World since they were children (including myself, who first experienced it in 1979), have deeply nostalgic feelings for it, so this will be a negatively received plan around the world (which, everyone knows by now, is small). I'd love the Los Angeles Conservancy to get involved in fighting to protect Mary Blair's original artistic vision, and preserve this important piece of L.A. history the same way they would a historic hotel, or Art Deco neon sign. We should propose that they do the same thing as they do for The Haunted Mansion, where for the months of Nov.-Dec. they deck the entire ride out with Nightmare Before Christmas characters, and dub it The Haunted Mansion Holiday, creating an air of excitement that lasts the whole year. Why not make it the "It's a Small U.S." ride centered around the 4th of July, and deck the ride out in Toy Story vignettes for a month? Touch up the paint, if you must, re-fresh the glitter, get newer boats, but leave the original ride alone!  

 It is obvious, especially to today's savvy children, that the only reason for adding newer Disney characters to the classic ride is purely so they can sell more merch. Yet their plan stems from totally lazy, uninspired thinking . . . If the licensing team for Disney parks were really using their noggins in a truly Walt-Disney-centric way, they would restore the ride so it was as sparkly as the day it opened, and introduce Mary Blair's lovable Small World characters to a whole new generation, who would undoubtedly embrace them . Disney could make Small World products as hot as they previously were in the '70s, when Avon produced an adorable line of bath and cosmetic products based on the ride, which would sell like hotcakes if re-relased today (they are now highly sought after collectibles on eBay).

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It's a Small World should be considered as a priceless piece of art, as important to modern culture as the Mona Lisa, or the Eiffel Tower . . . an American icon representing joy and hope for children and adults  around-the-world since its opening day. Changing its face would be like saying "Um, i've noticed the museum hasn't been selling enough of those Jackson Pollock postcards, so I guess we should go add some fluorescent pink or a baby bunny to the painting" . . . it's that absurd. 

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And if media backing is what they require in order to have a vested interest in their properties, then I wonder why Disney's TV dept. hasn't pitched an animated show using Blair's iconic characters, especially since the retro-cute look of the kids is totally on-trend at the moment . . . and you can see their influence of everything from MTV promos to Gwen Stefani's Harajuku Lovers clothing line.

In the recent decades, Mary's art has been treated less than kindly by Disneyland's Imagineers, to say the least. Preservationists, and Blair fans the world over, were made furious in 1987, and then again in 1998, when her hand-painted Tomorrowland tile murals were covered over by more "futuristic" crap. Luckily, Disney Parks were too cheap to actually creak-down all the tile work, so they merely covered them up with the new murals on dry wall. So hopefully Mary's brilliant murals will once again see the light of day! 

It's a Small World was Walt's promise to Mary, and you can be sure that if this plan goes through, he will be rolling in his grave (or cryogenic chamber, depending on what you believe).

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Go to SAVETHESMALLWORLD.COM for the latest media coverage, as well as info about ways that you can protest this heinous plan.

Here is a very heartfelt piece lamenting the re-design, along with this powerful letter written by the family of Mary Blair, and here is a great piece from KPCC  radio's Off Ramp show, where both Kevin Blair, (Mary's son) and Jade Gordon of the L.A. performance art group, My Barbarian (who produced a musical about the life of Mary Blair at Disney Hall in 2004) , speak about opposing the plan.

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The above photo is of baby J.B. Taylor (age five), on It's a Small World, gazing up at all the dazzling, glittery Mary Blair beauty (I think my expression pretty much says it all).

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And here's a sneak peek of what I wrote about the ride, for the Disneyland chapter in my upcoming book, Vintage LA (click to view larger).

Photos: imagineerebirth.blogspot.com (W.D. quote also found here), neato coolville (flickr), snaggs (flickr), xie kitchen (flickr),  the owls go (flickr)

March 27, 2008

Gonna Dress You Up in My Love.

What i've currently deemed to be "The Perfect Spring Dress", is going to be open for bidding on eBay in about 10 hrs. (seller: mynoble), and since its measurements won't suit my curvaceousness, i'm urging you to win it, and wear it with Bakelite bangles. It reminds me of Diane Wiest's fabulous vintage wardrobe in Hannah and Her Sisters, though she would've worn it with a '50s varsity jacket, a beret, and cowboy boots (see Diane below, in that great film, wearing an adorable '30s sailor top over a little denim jacket, accessorized with a beret, polka dot handkerchief, and '60s beads):
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And here are some more of my "dream Spring wardrobe" looks:
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Photos: '70s knitted Bargello ensemble (love the blue tights)! / Carly Simon bopping around NYC in a Victorian inspired dress, Grecian sandals, and macrame bag (early '70s) / Claire McCardell's rayon jersey "Arabian Nights" ensemb (1946) / Embroidered linen Gretel dress from Amsterdam / hot '70s leather jacket (East West Musical Instruments Company?) / '70s-Deco suit by Lee Bender for Bus Stop / Adorable early '70s ensemb with the greatest leather sack tote / canary yellow knitted cardigan with matching knee-socks! / the perfect trench-coat by Ossie Clark and Celia Birtwell (along with their cat, Percy).

March 24, 2008

You oughta look at pictures.

Earlier this year, the UCLA Library placed its entire photo collection online for vintage image enthusiasts (like moi) to happily peruse. Going through the site is an absolute thrill for anyone interested in the history of Los Angeles, and Hollywood in particular. I'd planned on using the site's search feature to scope out a few photos or particular landmarks that I love, but about a half-a-day later, I was still hunched over the laptop soaking up all the awesome rare images.

Here are a few of my favorites, found on the expansive site (click for larger view):
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Images: The Pan-Pacific Auditorium as seen in 1956, but it was tragically destroyed by fire in 1989. My sister and I used to go roller skating outside the building when we were little, pretending we were Olivia Newton-John in Xanadu, which was filmed here. / The grand lobby of Downtown's gilded movie palace The Los Angeles Theatre, as seen in 1987 (it is still as stunning today). / Marilyn and Arthur Miller arriving at LAX airport (1959). / A 10 year old Tatum O'Neal holding her Academy Award for Paper Moon (1974). / Jayne Mansfield and husband Mickey Hargitay in their new home, which was soon to be dubbed The Pink Palace (1958).  / Warhol and Jane Forth signing autographs in Los Angeles (1972).

March 23, 2008

Happy Easter, every bunny!

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Vintage postcard: "riptheskull" on flickr

March 12, 2008

Smokin' Zig-Zags.

One of my favorite things from the history of design occurred in the 1970s, when clothing designers and interior decorators reinterpreted Art Deco style, and the resulting look was like a Busby Berkeley-meets-Biba dream, with Aztec-meets-Modernist set designs by Cedric Gibbons of MGM.
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The 1970s obsession with the 1920s was similar in epic-ness to the scene in the 1980 film Xanadu, where two musicals are being performed simultaneously on a giant stage, until the sets begin to merge, culminating in two decades becoming one; the first set featuring a 1940s big band-style sound and Lindy hoppers in saddle shoes, and the other set featured The Tubes rocking out New Wave tunes, surrounded by MTV babes in day-glo cat-suits. My favorite part happens half-way through the scene, when the sets, which are on rollers, come together in a glorious, swing dancing, rock 'n roll, disco bonanza.
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During this inspired time in design, one very important pattern was that of zig-zags, or chevrons if you're Canadian. Here are some fabulous examples of said popular '70s-Deco graphic treatment:
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Photos (by row): 1971 World of Art Deco book (picker22), Xanadu lobby card, 1976 Deco Disco LP, poster for Twiggy in the 1971 Deco classic The Boy Friend, Coat (444vintage), skirt (2tryhard), 1972-'73 Biba platforms (V&A), zig-zag bag (manifique-boutique), Biba trench (bibacollection.co.uk),  Missoni-inspired tie, Biba coat (bibacollection.co.uk), Native American Germantown rug (grogancompany), Mister Ant Cardigan (emmapeelpants) 


   

March 02, 2008

Liquid Galliano?

This look from John Galliano's Fall 2008 collection heavily reminded me of the poster for Slava Tsukerman's 1982 New Wave film, Liquid Sky:

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What do you think? . . .

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* And if you are a fan of surrealistic fashions, disturbing electronic music, or wish you could've experienced the dark underbelly of NYC's art scene in the early '80s, and you haven't yet seen this film . . . I suggest you rent it, asap!

Photos: Ashby & Claisse (for Style.com), The Blitz Kids

February 26, 2008

Vintage Guide to Long Island's North Fork (NY)

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The mister and I recently enjoyed a fun weekend jaunt to the  North Fork of Long Island, where in only two days, we filled our Godzilla-sized Tahoe truck to the max, with antique pieces to die for. Here's a tour of the places we dug most, on our vintaging adventure:

Our first stop was beautiful Montauk Point, where we climbed large rocks up to a historic lighthouse (built in 1796), and gazed out onto the gorgeous horizon. We gathered up some seashells and driftwood, and then drove through Montauk's posh little shopping villages, which were more of the Ralph Lauren/Intermix ilk, than for genuine vintagers like us, although I did spot a Screaming Mimi's location, which was sadly closed for the season.  

We then drove onto the North Haven ferry, which shuttled us to Shelter Island, and upon arriving on S.I., we spotted a boutique located in a wonky little house called, Marika's, which was literally bursting with affordable finds. At Marika's, we purchased a large Victorian-era photograph of a woman in an ornate black oval frame ($30), a gorgeous black turn-of-the-century Hitchcock style chair with a woven cane seat, adorned on the back with a silhouette of a woman's face in worn gold leaf (about $75). We also purchased a bizarre voodoo-looking bird sculpture made of real horn, that had "Trinidad" etched into it ($15), which we felt creeped out by soon-after, and then had to trash after I accidentally dropped a hatbox on it the following day (I swear it was an accident). Marika's also boasts a parking lot strewn with awesome Victorian to mid-century outdoor furnishings, like '1940s white metal ice-cream parlour chairs, and large 1970s sculptures.

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Driving around the island, we viewed one of the most magical sunsets I've ever seen, before checking into our B&B for the night,  called Stearns Point, which was cute, quiet, spotless, and the sweet owner, Marie, made us an awesome breakfast spread (with the scent of freshly baked muffins wafting through the house, waking us up like in a Folger's Coffee commercial). Marie also tends to many of the island's estates, so she also has the best S.I. celebrity gossip. Even though the outdoor grounds could use a few more trees, you can't beat it for the price. That evening, we had one of the best, most unforgettable dinners of our lives at Vine Street Cafe, where we pigged out on spring rolls, perfectly delicate tuna tataki, homemade buttermilk-fried chicken, and homemade coconut/champagne punch sorbet (we seriously entertained the thought of moving to Shelter Island, just so we can eat here every night).

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After one night on S.I., we took another ferry to Greenport, which is a lovely little seaside town, circa the 18th century, which consists of antique shops, oyster bars, maritime themed shops, light houses, ice skating rinks, historic homes, art galleries, a gorgeous 1920s carousel, and more Victorian B&B's than you can shake a doily at.

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Greenport is a great place to spend a weekend, especially for antiquers, since you can drive 30 miles up and down Suffolk County's Main Rd., encountering dozens upon dozens of vintage shops along the way. Some of our favorites were: Gallery 429, where we got a large wooden tool box (circa early 1900s), which is now our art supply box ($115), a shabby 1930s white metal plant stand ($35), a highly detailed celluloid cigarette holder from the 1920s in the shape of a gargoyles claw ($95), and I got a fabulous 1960s Indian turquoise ring ($25). At Willow Hill Antiques we got a 1920s mahogany wood 6-drawer filing cabinet ($65), and a little wooden sewing box ($10). At The Furniture Store Antiques, where we bought a black 1930s mens hat box ($12), a mint condition peach 1940s rayon slip with lace bow detailing (about $15), and a crewelwork bohemian pillow ($30). At Cracker Barrel (no relation to the restaurant chain), we got a large tinted photograph of a Spanish soldier in a Victorian oval tigerwood frame with convex glass ($65), and at Three Sisters Antiques we got a French dictionary of symbols from 1927 ($12), and a book from 1892 called How To Cook Vegetables ($12). At Kapell's, which owner David Kapell (who doubles as a Greenport real estate agent) curates in a really fun, stylish way . . . I particularly loved the way he displayed a collection of vintage figural top hat shaped planters and ice buckets on one tabletop. At Kapell's I bought a stack of great vintage NYC postcards ($10), and when we realized we were out of cash, he insisted we take the cards, and mail him a check when we got a chance. A real mensch, that guy.

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For lodging in Greenport,  I highly recommend the historic Bartlett House, where the owners, Jack and Diane (for reals), make you feel like royalty, and the decor is totally over-the-top. We stayed in the truly bitchin' African Suite, and were delighted by the awesome breakfast buffet Diane orchestrated the next morning, equipped with everything our brunchy hearts desired, including bagels with cream cheese and smoked salmon, veggie quiches, and hot oatmeal. Diane also recommended one of the other best restaurant experiences we've ever had, at the North Fork Table, where we had cod & potato cakes,  shelled lobster in a light curry sauce, and juicy roast beef (which Nic can't stop raving about, and even looked good me, an almost-vegetarian). 

One of the funniest things for me, was watching my husband, who on the way to Long Island from NYC, was saying most grouchily, "no matter what anyone says to me, I'm not gonna partake in any B&B small talk about the weather, or where I'm from", but flash-cut to the next night, and he was had totally morphed into the perfect B&B guest, shoes off, reading The Sheltering Sky by the fireplace, calmly asking "can I help you bring some more logs inside, Diane?" and coming upstairs to our room, with trays of delft tea cups (I loved that).

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For a map of Suffolk County's antiques district (whose hysterical motto reads "Come visit us, forget today & relax in yesterday"), click here.

For photos of our trip, check out my "Long Island Vintage Adventure" gallery, found in the right column.

Vintage art courtesy of: Floyd Memorial Library, viseroy, and my personal collection.

February 14, 2008

Won't you be my Valentine?

I want to wish everyone a happy, flirty Valentine's Day!
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And if you happen to be flying solo this evening, and are a made to feel sad about it when you see  anything with the tag-line "a diamond is forever", keep in mind that you will soon meet someone special, since love appears when you least expect it, and then you will no-longer have any awesome alone-time when you can wear crappy PJ's all day, and watch Rock of Love marathons without feeling guilty.

So make the most of this night!  . . . go to dinner with a funny friend, eat a big cupcake, do a tacky arts & crafts project, redecorate your living room, just whatever you do, DO NOT listen to Last Night I Dreamt Somebody Loved Me by The Smiths, because that will just lead to sobbing, boozing and gothic-teenager-esque melodramatic thoughts of offing yourself (I know this firsthand). If you're going to listen to music, listen to Stevie Nicks, or Marianne Faithfull, who are both smart, smokin' sexy, single broads, who are totally content and empowered by the fact that their most enduring relationships have been with their art. Or read online about awesome sculptress Beatrice Wood (Aka; the Mama of Dada), who preferred not to be tied down by marriage, and had young lovers up until the ripe ol' age of 105!

My list of perfect movies to watch on Valentine's eve:


~ Pretty in Pink
~ Harold & Maude
~ Minnie & Moskowitz
~ Bell, Book and Candle
~ Sixteen Candles
~ Slaves of New York
~ My Man Godfrey
~ Eternal Sunshine of the Spotless Mind
~ Paper Moon

And, if you LOVE vintage Valentine cards, your heart will swoon at the wonderful archives here and here.

P.S. Don't forget to check out the two new photo galleries I posted (right column) of Anna Sui's last two collections. At the recent Fall 2008 collection, stylesight.com snapped a photo of me in my favorite leopard coat and '40s tilt-hat, alongside my gorgeous friend Christina Caruso (the fabulous jewelry designer), which you can see here.

XO's + heart shaped boxes to everyone!

February 04, 2008

Capote on Creativity

"I've never understood the term 'creative person'. All people are creative. The difficulty is that most of us are unaware of our creative gifts; through faults of fortune, they lie undreamed of—to be discovered only, if at all, through fateful chance. For instance, as a child I knew a Gulf Coast fisherman who, direly afflicted with asthma, retired to a darkened herb-scented room. He learned to sew; gradually, he began producing scrap quilts of amazing design, a sunshine world of great primitive tapestries.

    The spirit hovers somewhere in all of us; many a shoe clerk and bus driver contain, however obscured and thwarted, a capacity for reaching exalted musical regions, for contriving delicate mathematical experiments. But of course, the professionalized creative mind neither discovers nor makes art by accident, and therein lies the difference. Most artists know what they were born to do (and are prepared to do it) at a far earlier age than, say, the average future lawyer realizes his intentions. And most artists, particularly the precocious breed, have had difficult, isolated childhoods—no doubt partially because of the creative sensibility that sets them apart. In youth, what happens to the potential artist is rather like what happens to the pearl–bearing oyster. An alien sand grain invades the oyster's shell and, once embedded there, irritates the tenant to the point of obsession, painfully pesters the the oyster until it produces a jewel. Talent, and genius as well, is like a grain of pearl sand shifting about in the creative mind: a valued tormentor.
"

     —Truman Capote (Cut from Playboy magazine, circa 1960s)

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Click photos to view: Capote and his Tabby, dancing with Marilyn at NYC's fabled El Morocco club, with Debbie Harry at a party for Andy Warhol's Interview, fan-dancing at Studio 54, Truman at home, dining with screenwriter Anita Loos at El Morocco in the 1950s (all photos: corbis.com)

February 03, 2008

Knock on wood.

Being that I grew up on the West Coast, with a mom who dubbed herself a "Bloomingdales hippie" (which to her meant organically inclined, yet always smelling of Halston perfume), and a dad who was obsessed with Big Sur, and the artisans who resided there, no matter how hard i've tried to fight against it, I have been bred to love all things in the bad-'70s-burl-wood school of design.

My California upbringing has made it impossible for me not to love everything that is made out of wood. Essentially, if I am thrifting, and spot a terrible driftwood lamp adorned with tiny glass seagulls soaring on bouncy wires, it is most-likely going home with me.

Here are some woody items i've spied around the web, that totally fit my California-dreamin' mood (click photos to see images full-size):
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Images: 1970s carved wooden purse, 1960s faux-bois decanter and tumblers, wooden magic-hat box from 1930 (Hadley Antiques), 1970s trompe l'oeil bookshelf purse, silhouetted Adirondacks-style lampshade, faux-bois fire logs lamp circa 1922 (cloveronwealthy on eBay).

January 31, 2008

Sneaky Peek!

Here's a sneak peek at Vintage LA's front and back covers (which officially debuts on  June 24th)!  . . .

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Can't wait to hear what you think!

January 28, 2008

Ballroom Blitz!

Those obsessed with the avant-garde fashion culture of the 1970s and 1980s, simply-must-experience  The Blitz Kids, where you can peruse literally thousands of rare photos and collected press clippings for New Wave inspiration.

The original Blitz Kids were the dramatically dressed personalities that frequented London's infamous Blitz club in the early '80s . . . a gang which included Boy George (who was the "hat-check-girl" at the club), Steve Strange, performance artist Leigh Bowery, Billy Idol, and milliner Steven Jones.

The site's créateur, Danilo Monzillo, is a Brazilian make-up artist, who is also fanatical '80s memorabilia collector, and self-proclaimed "New Romantics connoisseur". On his endless site, you'll discover juicy profiles on glam rock pop stars, cult hero club kids, drag queens, photographers, make-up artists, underground films, legendary night clubs, fashion designers, and oh, so much more.

Here are some of my favorite photos spotted on the site (listed by row): Donna Jordan on the cover of Paris Vogue, Boy George in Egypt, Boy George Snoopy (this photo brought back many memories, since I remembered having this doll as a child), singer Toyah, Adam Ant in his signature pirate couture, the 1989 film poster for Slaves of New York (one of my all-time faves), Jerry Hall with glamour make-up by Way Bandy, Hibiscus from performance art troupe The Cockettes, and a Vivienne Westwood design from her 1982 Buffalo collection

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